What They Needed #
Music streaming broke the old music industry—but it didn’t fix it. Artists now earn fractions of a penny per stream. A song needs millions of plays to generate meaningful income. The platforms capture most of the value while musicians struggle.
A group of musicians, technologists, and music lovers asked: what if streaming could be fair? What if listeners could actually own the music they love? What if the platform belonged to the people who use it?
What They Built #
They created Resonate —a music streaming cooperative with a model they call “stream to own.”
Here’s how it works:
- First plays are cheap. The first time you stream a song, it costs a fraction of a cent.
- Repeated plays cost more. Each subsequent play costs a bit more.
- Nine plays = ownership. After streaming a song nine times, you’ve paid roughly the cost of buying it—and now you own it. Stream it forever, download it, it’s yours.
The economics work out to roughly the same as buying a track, but spread across your listening. Songs you try once cost almost nothing. Songs you love, you end up owning.
And the platform itself is a cooperative:
- Artists are members with governance rights
- Listeners can be members too
- Decisions are democratic
- Built on open source technology
What Happened #
Resonate has been building since 2015-2016 , with thousands of artists and listeners participating in the cooperative.
What artists say:
“I earn more per play than on any other streaming platform. It’s not even close.”
“The stream-to-own model means fans who really love my music actually pay for it, while casual listeners can still discover me.”
“I’m not just uploading to a platform. I’m a member of a cooperative that I help govern.”
What listeners say:
“I love that my listening actually leads to owning. It feels like my plays mean something.”
“The music discovery is different—it’s curated by the community, not an algorithm trying to keep me hooked.”
What They Learned #
Aligned incentives change everything. When the platform is owned by artists and listeners together, there’s no third party extracting value. The platform’s success is the community’s success.
Stream-to-own respects how people actually listen. Most songs you hear once or twice. A few become favorites you play hundreds of times. Stream-to-own prices accordingly—cheap discovery, fair compensation for the music you love.
Building a cooperative is slower than raising venture capital. Resonate hasn’t grown as fast as VC-backed competitors. But it’s building something sustainable, owned by its community, not beholden to investors demanding growth at any cost.
Open source enables trust. Artists can see exactly how the platform works. There’s no black-box algorithm deciding who gets promoted. Transparency is built into the technology.
What This Means for You #
If you’re a musician, you don’t have to accept streaming economics that pay fractions of pennies. Alternatives exist.
If you’re a music lover, you can choose where your money goes. Platforms owned by artists and listeners operate differently than platforms owned by investors.
And if you’re part of any creative community—musicians, writers, filmmakers, podcasters—the cooperative model is adaptable. The principles Resonate developed could apply to other forms of creative work.
Learn more: resonate.coop
Streaming doesn’t have to mean artists earn nothing and listeners own nothing. Resonate imagined a different deal—and built it.